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Collection showcases the various projects and programmes at 72-13
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Living Soil Series — Exploring the Future of Ground-Up Initiative Through Social Presencing Theatre
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Presented by T:>Works
Sat, 14 June 2025, 2.30–5.30pm
Exploring the future of Ground-Up Initiative (GUI) using Social Presencing Theatre (SPT), an embodied social arts-based change method for making visible current reality and exploring emerging future possibilities.
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Living Soil Series — A Film Double Bill: Sandcastles and Moving Earth
Presented by T:>Works
Sat, 3 May 2025, 3–5pm
Kicking off the Living Soil Series as part of CoThink Lab, featuring pre-show activity to pen down stories of relocation and land reclamation as well as a post-film panel.​​
Per°Form Open Academy of Arts and Activations 2025
Presented by T:>Works
Fri–Fri, 7–28 February 2025
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Third iteration of T:>Works’ cultural touchpoint, featuring a line-up of 17 Per°Form Fellows including eminent thought leaders and cultural innovators across diverse fields of contemporary indigeneity, curation, research, education, visual culture, disability-access, and performance.
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Conversation Between Sahana Ghosh and Sorawit Songsataya
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Presented by T:>Works
Fri, 24 January 2025, 4–6pm
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Conceived and moderated by Per°Form CoThink Lab Fellow Wong Binghao (Bing), this closed-door programme for artists, graduate students, curators, and researchers will feature presentations by artist Sorawit Songsataya and anthropologist Sahana Ghosh.
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Utopia of Rules
Part of Singapore Art Week 2025
Presented by Kathleen Ditzig and Hera Chan, supported by T:>Works
Fri–Sun, 17–26 January 2025​
Borrowing its title from David Graeber’s 2015 book, this exhibition brings together artists from Singapore and beyond who have engaged with everyday bureaucracy and its idioms. Featuring artworks that are produced through international legal limits, that poetically reflect upon the personal cybernetic relationship with censorship, and that unpack the financialization of the office, public housing unit or mobile phone, The Utopia of Rules reflects upon the social contracts, agencies, and logics that define these everyday systems. In turn, the exhibition points to how in ‘following rules’ and ‘filing paperwork’, artists can speak to and shift cultural protocols.​